articulation

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Toutes les articulations peuvent etre interessees surtout les hanches.
Articulation markings should be followed to bring out the Spanish character.
They were all involved with complex cultural articulations, which is why they are still meaningful now.
Deep in the hearts of the faithful a very new old idea has been reawakened - the church at its core is the faith community united with God the Father-Mother through Jesus Christ, and everything, ministries both temporally and divinely ordained, doctrines and dogmas, articulations of our spiritual identity and destiny, are all grounded there.
I "inadvertently" started to experiment with articulations and soon heard my Bach playing not only singing (as it always had) but also dancing--what a difference, such fun
In addition to pure pristine recordings of each note and a full range of harp articulations, new technologies allow for advanced glissando emulation, sampled acoustic spaces and much more.
The state's actions included requiring teachers to earn the CIW Associate certification in order to receive federal Perkins funding for Web page design courses; re-creating the state's traditional trade and industrial Web courses using the CIW skills objectives; and now creating statewide articulations across the entire education system.
All notes, rests, accidentals, articulations, triplets and staves are provided for the user.
They contain the many demanding characteristics associated with Sabo's style--her love for intricate articulations and groups of small ornamental notes, sustained notes within the hand, command of the entire keyboard and tricky rhythmic patterns and hand coordinations.
This release also features functional enhancements to the recently released Sibelius 4 and, coupled with GPO's own programming, allows for powerful and sensitive rendition of articulation and expression markings (including slurs, bowing and tremolo indications, hairpins and other dynamics, as well as all standard articulations) during playback.
A variety of articulations are found in these pieces, including legato, staccato, two-note slurs, tenuti, portatos and accents.
This volume poses a variety of possible learning situations and challenges and could serve beautifully as a supplement for an intermediate student, a handful of the pieces could be learned independently, while others could encourage valuable learning experiences, such as choosing effective practice techniques for leaping accompaniments and varying articulations between hands.

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