quotation

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QUOTATION, practice. The allegation of some authority or case, or passage of some law, in support of a position which it is desired to establish.
     2. Quotations when properly made, assist the reader, but when misplaced, they are inconvenient. As to the manner of quoting or citing authorities, see Abbreviations; Citations.

QUOTATION, rights. The transcript of a part of a book or writing from a book or paper into another.
     2. If the quotation is fair, and not so extensive as to extract the whole value or the most valuable part of an author, it will not be a violation of the copyright. It is mostly difficult to define what is a fair quotation. When the quotation is unfair, an injunction will lie to restrain the publication. See 17 Ves. 424; 1 Bell's Com. 121, 5th ed.
     3. "That part of a work of one author found in another," observed Lord Ellenborough, "is not of itself piracy, or sufficient to support an action; a man may adopt part of the work of another; he may so make use of another's labors for the promotion of science, and the benefit of the public." 5 Esp. N. P. C. 170; 1 Campb. 94. See Curt. on Copyr. 242; 3 Myl. & Cr. 737, 738; 17 Ves. 422; 1 Campb. 94; 2 Story, R. 100; 2 Beav. 6, 7; Abridgment; Copyright.

References in periodicals archive ?
The immigrant characters' language with all its slang sounds unrealistic and mars the effect of naturalness, though realism is the author's intended goal, even as the high-sounding English expressions used at times with literary quotations might cause some raised eyebrows.
The California Academic Decathlon champions have also overpacked their brains with mathematical theorems and literary quotations, with music scores and art critiques.
Taken as a whole, the thirty-one needleworks on display - featuring everything from conventional decorative motifs to embroidered appropriations of modern and contemporary art to literary quotations addressing the metaphoric implications of sewing and weaving - constitute a kind of perverse cataloguing of the sampler qua artistic medium: "perverse" because modernism's emphasis on medium-specificity is precisely what allows it to distinguish high art from lowly craft (and, by extension, "masculine" aesthetics from "feminine" ornament), but more interestingly because, under Reichek's nimble fingers, the sampler's essential property reveals itself to be the ability to elude the very categorical logic on which a modernist notion of medium is based.