References in periodicals archive ?
But in the few moments when a choreographic vision kicks in, Movin' Out doesn't look like Tharp at all, it looks like Paul Taylor, whose company Tharp danced in before she set out on her own.
Like the first draft of Movin' Out, the first version of The Times They Are A-Changin' was not well-received by the critics, who noted that they were expecting more dance.
The MOVIN' OUT cast was treated as if they had little to no rights in an unhealthy environment governed by intimidation and fear.
Seated in his floor-to-ceiling gray marble office - the one with customized marble niches designed to hold his Grammy and People's Choice awards - Hammer breathes a huge sigh, cracks a wide grin and says, ``How do I feel about movin' out of here?
Twyla Tharp's Movin' Out was a big step toward getting Broadway to appreciate the commercial potential of contemporary ballet.
When I went to see Movin' Out, it was a good example of people who studied ballet and could also do jazz.
On Broadway" columnist Sylviane Gold talks to six swings in the casts of The Lion King, Hairspray, and Movin' Out about how they accomplish their near-impossible tasks.
After fashioning the songs of Billy Joel into the terrific musical Movin' Out, this time Twyla Tharp is tackling the Bob Dylan songbook.
And even if they don't make it, Twyla Tharp's Movin' Out is still going strong; one of her former dancers, John Carrafa, has directed and choreographed the new Beach Boys musical, Good Vibrations; there will be dancing a-plenty when Sweet Charity returns next month with choreography by Wayne Cilento, and even straight-play audiences got to see a bit of Sean Curran choreography at the end of the Lincoln Center production of the classic Restoration comedy The Rivals.
Full browser ?