spiritual

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II:The Negro Spirituals Dialogue has been submitted for consideration in this year's 58th Grammy Awards.
Somewhere around the third cup of wine, a room full of Jews sang the classic negro spiritual in lively fashion, followed almost immediately by "O Freedom," another classic negro spiritual.
While this bifurcation is not exclusively due to the influence of Negro spirituals, musical elements characteristic of spirituals--pitch approximation, repetitive melodies, rhythmic drive and complexity, call and response, and occasional communal participation--helped to create jazz (often considered the first truly American music), blues, and gospel music.
In the studio, students tackled a range of works by black choreographers--or inspired by African American themes--from Helen Tamiris' Negro Spirituals (1928-42) to Donald McKayle's 1951 Games.
As a musician, Joseph plays "slave songs" and "Negro spirituals" on his saxophone and piano; he travels to Jamaica, Cuba, Brazil several times, "trying to find links between the Negro spirituals and Latin and island music" (73).
Robeson was the first major concert star to popularise the performance of Negro spirituals, and was also the first black actor of the 20th century to portray Othello on Broadway.
See, for example, George Pullen Jackson's 1932 "The Genesis of the Negro Spiritual," in which he argues that "Negro spirituals" are derived wholesale from mid-nineteenth-century white Protestant hymns.
I would like to share with readers the experience of a very special person: Marian Anderson, the great singer of classical music and Negro spirituals about whom Arturo Toscanini said that a great voice like hers comes once in a century.
Representing English composers from the 20th century will be Tippett's splendid arrangement of Negro Spirituals from A Child of Our Time and Vaughan William's Five Mystical Songs.
La musica concebida dentro del barroco tardio en el Brasil del siglo XVIII tiene en el disco compacto Negro Spirituals au Bresil Baroque la ocasion propicia para reencontrarnos con los inicios de la identidad americana.
DuBois called "foster land," emerged a complex continuity from the songs of slaves to Negro spirituals to minstrel songs various kinds of musical fashions: the "cakewalk" of the 1880s, the "coon song" of the 1890s, the "ragtime" of 1900, the "blues" of 1910, and "jazz" of the 1920s.
Lunch hours were spent in choir practice; music lessons covered all types of songs from Handel, through Negro spirituals to British folk songs, and as we sang Mr Walker listened attentively to find talented voices for our French Choir, which was well known from its broadcasts on radio.