animadversion

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It is unfortunate, therefore, that Stephen Holmes mars his otherwise helpful Anatomy of Antiliberalism with a few stray animadversions on libertarianism.
A clear example of this was in the March issue of Heterodoxy: Articles and Animadversions on Political Correctness and Other Follies (Heterodoxy, March 1993).
Her animadversions on what poetic man has made of woman placed her in advance of Wordsworth's Preface to Lyrical Ballads as an opponent of the self-conscious "art" of verse in contrast to natural expression.
In the opening chapter, "Economy," when he addresses the human need for shelter, Thoreau first considers the idea of a house, moving from the customary glance at the bower of Adam and Eve, to his animadversions about the fashionable domestic architecture of his day, then to the negative correlative of those palaces, the "huts," "sties" or "shanties" of the poor (35).
Rampersad's animadversions are undermined by his scrupulousness as a biographer: the book makes clear that Ellison did praise young black writers and help some of them obtain grants.
The antiprelatical tracts--which include Of Reformation (1641), Of Prelatical Episcopacy (1641), Animadversions (1641), and The Reason of Church Government Urged Against Prelaty (1641-42)--attack the residually-Catholic ceremonialism and episcopal hierarchy of the Stuart church under Archbishop Laud.
Alas, for all his intellectual ability, Moreiras is a primitive ideologue with numerous animadversions against post-colonialism, capitalism, and globalism.
Herewith (by title nodding to Nagy 1990) I offer a few stylistic animadversions on both texts to the Jubilar, a sensitive observer, as a token of nearly forty years of friendship and admiration.
Burke, in the course of some very severe animadversions which he made on Lord North for want of due economy in his management of the public purse, introduced the well-known aphorism, Magnum vectigal est parsimonia, but was guilty of a false quantity by saying vectigal.
Temporarily dismissing Browne's imitators, Havenstein then takes on Stanley Fish, not only defending Browne against Fish's animadversions (which are generally apolitical, it must be said), but also "resurrecting" -- her term -- both the stylistic criticism of Morris Croll and quantitative stylometrics, neither of which seemed useful to Fish.
I have nonetheless some animadversions concerning the inclusion of some "responses" in Professor Butler's collection and the omission of others.