irresistible

(redirected from irresistibility)
Also found in: Dictionary, Thesaurus, Wikipedia.
Related to irresistibility: Scath, undeterred, overhyped
References in periodicals archive ?
A way to really lock in irresistibility is to have those who have successfully reached the same goal tell their stories to those who need hope to get started.
The same irresistibility characterizes the entire play, which, despite its apparent simplicity, encompasses a great ineffable force centered around the moon.
But it is also easy to attribute the enormity of some agents' actions to the seeming irresistibility of forces operating on people as though those forces are not themselves set in motion by people acting for reasons they endorse, with a clear sense of what they are aiming at.
14) When Tom subsequently tries to press upon him the apparent irresistibility (of the convention) of being a hermit, Huck's even more resolute: "Why I just wouldn't stand it.
That they didn't was down to their own foibles rather than the irresistibility of Leeds.
Like a musical composition, these stories are connected by leitmotifs: taxicabs are a recurring image, as are volcanoes, and, of all things, magpies, 'attractive, artful and aggressive' birds that represent the irresistibility and danger of love.
The irresistibility of grace, then, implied no "force offered to the Will, which is repugnant to its nature, but onely an insuperable efficacy of Divine Grace, which inclines the Will sweetly and agreeably to its owne nature, but so certainly and necessarily .
It's a beautifully romantic and irresistibility cute record.
You could, of course, negotiate a shorter period of abstinence - although perhaps give your reason as her irresistibility rather than your frustration
The costliest consequence of multiple review was because of the apparent irresistibility of editing.
A Dirty Shame (2004) revels in the irresistibility of sexual urges, but also in the absurdity of obsessing over them--the movie ends as head butts become the most spiritual of sexual acts.
Such claims allow Ricoeur to develop an aesthetic, one which privileges some of the qualities we most often associate with Hopkins: the writers, he says, "who most respect their readers are not the ones who gratify them in the cheapest way; they are the ones who leave a greater range to their readers to play out the contrast [between a poem's irresistibility and its untenability]" (402).