overbearing

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These themes were subtly indicated by her titles, without creating any overbearingly literal references.
However, Faulkner has transformed the scene's take on women from anxiously ambiguous to almost overbearingly decisive; strong, chivalric men like Marlowe (devoid of homoerotic desire) first attempt to protect women in the form of pure, innocent white queens.
Reached along a red carpet, the five-star former medieval hospital Hotel Hermitage Gantois is cosy enough for couples without being overbearingly sickly sweet.
Be considerate to the janitorial staff, the lab techs, the physicians, help them do their jobs better while remaining courteous and professional, but not overbearingly so and it will be likely over time they will be helpful to you, resulting in a more synergistic team and ultimately better patient outcomes.
I stayed in luxury at the fantastic Conrad Hotel, an unashamedly posh hotel that's not overbearingly formal.
I have commented before about how this overbearingly mechanistic language reveals a particular mind-set which is evident in phrases such as: ratcheting up standards; potential stuck 4s; conversion matrices and toolkits; Securing the building blocks of writing; sustained impact of intervention support; drilling down through the data; functional literacy; writing frames.
Tainted by sadness (it deals with the loss of his mother to cancer earlier this year) the resulting record is overbearingly dark.
The resulting record is overbearingly dark: the sombre tone only broken once by the punchy piano chords and upbeat lyrics of Give Me What I Want And Give It To Me Now
Henchard began his relationship with Farfrae by being overbearingly friendly, but he becomes jealous of Farfrae's popularity.
When Catherine unselfconsciously praises a room and its view of a cottage, the General overbearingly compliments her and announces that he is sure the room will be redone to accommodate her taste.
Alas, in context of both the story and the endless stream of travelogue landscape shots of the Pyramids and Old Cairo, these scenes are swallowed whole by a general perspective -- no different than her 2005 effort "Sabah" -- that veers towards orientalism, augmented with Siddig's trite and overbearingly expositive lines that are chiefly comprised of "In Egypt, we do this, in Egypt, we do that.