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1968) (arguing that in English common law ius and seisina were equivalent to Roman-inspired proprietas and possessio), with S.
The actions associated with fatherhood and sonship belong to proprietas.
Of central importance is the medieval distinction between proprietas (the six-note segment of the gamut) and deductio (the attached set of syllables).
But Gafori (along with Ramos, Burtius, and John Hothby), reworked the concept and the terminology, arriving at the hexachord theory as it is now generally thought of--"obliterat[ing] the subtle 'two-tier' construct between proprietas and hexachordum and between voces and litterae" (p.
When addressing Wyclif's views of kingship directly, Lahey makes it clear that Wyclif recognized that royal iurisdictio, like proprietas, belongs to God alone and is bestowed upon the king only to the extent that he serves the divine purpose.
Unde quemadmodum ens et ipsius proprietates transcendentes unicam existentiam habent, ita et proprietas ficta atque essentia ficta, existunt per unicam existentiam fictam et objectivam"; Jose Saenz de Aguirre, O.
151) "Cognoscibilitas transcendentalis est proprietas entis, Con[cedo].
152) "Cognoscibilitas supratranscendentalis [est proprietas intrinseca entis] N[ego]"; Wietrowski, Logica, concl.
The chapters on Albert do not present his trinitarian teaching in the round but treat important technical questions related to the idea of person, such as how Albert sees the Boethian definition vis-a-vis rival definitions; in what sense the triple predication of person in divinis is analogical rather than univocal; how plurality of divine persons via plurality of relations in God compares with personal plurality in creatures; and what the unique personal proprietas is that constitutes for Albert every person as person.
This function belongs to what Albert calls the proprietas personalis, which confers the singularity and incommunicability by which each person is established in his or her distinct individuality.
This new teaching method can be regarded as a logical outgrowth of Guido's preoccupation with the proprietas of pitches, their contextual associations within the phrase and the mode.