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He writes: "[In the liminal state] a people becomes most acutely aware of the limits and questionableness of its deepest assumptions.
The worldwide protest of youth, in spite of the questionableness of many of its forms, is ultimately grounded here, in an uprising against a science which describes itself as value-free, yet hands man over to a value-less existence and in so doing destroys him.
One critic refers to the Crucifixion as a terrible example of the "paranoid sadism" evident in the work of "slow extravert artists," (32) another to the artist's "obsession with gratuitous details," (33) still another to his demonstrating the "abysmal questionableness of the human body as the frame of the Word that was made flesh.