References in periodicals archive ?
In his eagerness to make King Lear a redemptive revenger, Keyishian spends considerable time failing to convince me that the killing of Cordelia's hangman is a "splendid achievement," a device "to reward him, and us, for Lear's suffering," "a dazzling personal achievement" of reparative revenge, "a wonderful, exhilarating, heroic act" (68-76).
These gifts included men's gift items such as the Revenger (comic stress relief for Road Rage), Hero Hoops electronic basketball products and others.
WHEN the revenger Antonio, dripping in gore, walks on stage late in the third act of John Marston's Antonio's Revenge carrying a torch in one hand and a poniard in the other, the grisly tableau conspicuously evokes the opening moments of the play when the villainous duke Piero enters similarly bloodied and equipped, fresh from a double homicide that will propel the plot forward.
Their topics include the neglected soldier as vagrant, revenger, tyrant slayer in early modern England; famine, poverty, and welfare in India under colonial rule; official responses to beggars and vagrants in 19th-century Rio de Janeiro; disciplinary modernism in tsarist Russia; vagrancy and colonial control in British East Africa; imposing vagrancy legislation in contemporary Papua New Guinea; and doing homeless in Tokyo's Ueno Park.
1) To be sure, it follows many of the conventions of the revenge play of its time--a blood crime to avenge, a ghost, a ranting hero, feigned and real madness, a long-suffering woman or two, and, finally, the drawn-out death of the villain--but it also violates many of the conventions, the most important of which is that the revenger himself must die at the end of the play.
But if thou do that which is evil, be afraid; for he beareth not the sword in vain: for he is the minister of God, a revenger to execute wrath upon him that doeth evil.
Yet when enacted, this satisfying symmetry always carries with it the moral irony that the revenger becomes the mirror image of the murderer he stalks, an irony which is central to many Elizabethan and Jacobean plays.
CEO and founder David MacMahan is the creator of the Revenger, the dashboard mounted black box that allowed frustrated drivers to aim statements and sound effects at other motorists.
Many revenger fans can hardly wait to see what happens next to Emily Thorne, the new guy between her and Jack, Gideon, Daniel Grayson, Nolan Ross, and of course, the alive-after-all David Clarke.
CEO and founder David MacMahan is the creator of the Revenger, the dashboard mounted black box that allows frustrated drivers to aim statements and sound effects at other motorists.
Revenger fans are guessing this "life-changing" event could refer to Jack's possible imprisonment following Charlotte's (Christa B.