Each creatively used the mythic role of Salome, subverting
the assigned corseted rules of the day to search out a new identity.
The group argued that Wisconsin officials were subverting
the First Amendment.
The whimsical element in Sugito's additions suggests a sense of humor, but he isn't an artist who thinks that a joke is enough, nor is he satisfied with subverting
the codes of art history.
This means that, whenever colleges make decisions about students based on the SAT, they are again subverting
democracy by failing to extend equal opportunity to indigent students.
Faith is about saving souls, about winning men and women to an ineffable truth, to say nothing of subverting
the heretical competition, much less filling the offering basket.
In his photographs, Nigerian-born artist Ike Ude examines issues of race, gender and sexuality, subverting
the viewer's expectations of the same on a visual and theoretical level.
Wideman's postmodernism  can best be understood along the lines of what Linda Hutcheon defines as "historiographic metafiction" because of its self-conscious or self-reflexive awareness of its own complicity in the act of re-presentation of events and personages into "fictional" discourse (Poetics 5)--further subverting
that tendency through irony.
In two patients, mutations subverting
these drugs appeared only in the blood.
In the context of the dancing lessons we see joy linking corporeality with community in ways conducive to its survival and temporarily subverting
of the wider systems that oppress it.
The bizarre twists and tortuous turns in this trial even before opening statements from lawyers proved that Kaczynski was adept at causing chaos, delaying the process and possibly subverting
justice through appeals.
It is, he says, "consciously subverting
the democratic process and the will of the people"
Miola's study traces the presence of these plays in Shakespeare, with the organizing categories being derived from New Comedy itself: The Comedy of Errors and Twelfth Night are "error plays" in which Plautine confusion is given new moral and romantic dimensions; The Taming of the Shrew and Much Ado About Nothing celebrate "intrigue" at the same time that they explore its darker ramifications; The Merry Wives of Windsor and All's Well That Ends Well engage the alazoneia (or "boasting") of New Comedy by subverting
and modifying the audience's expectations about it; and the "romances," Pericles and The Tempest, combine motifs from Plautus and Terence with those of other traditions to produce a comoedia sacra which redefines comedic chance.