tabulae

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References in periodicals archive ?
Ademas, en todo caso, las tabulae de Veleia y de los Ligures Baebiani nos refieren la constitucion de sendas fundaciones alimentarias en epoca de Trajano y son numerosas las monedas acunadas en ese tiempo que conmemoran los alimenta publica con la inscripcion "Alim.
Tabulae complete, widely spaced, averaging about 6 tabulae in 5 mm.
In longitudinal sections, tabulae dark in colour, commonly thin and complete, flat or rarely convex, widely spaced, averaging about 5.
The first were the Tabulae Anatomicae Sex (The Six Anatomical Pictures) printed in Venice in 1538, a compilation of drawings he used in teaching (5).
Vesalius created the drawings for the Tabulae together with a Flemish artist, Jan Stephan van Calcar (1499-1546/50).
Some 22 objects have been catalogued in total, and scholars have learned to discuss them as the 'Iliac tablets' or Tabulae Iliacae.
Particularly influential here has been the work of Kurt Weitzmann in the mid 20th century, who attempted to relate the Tabulae Iliacae to a supposed tradition of book illustration in Hellenistic Alexandria.
Legitimacy and law in the Roman world; tabulae in Roman belief and practice.
Becoming fashionable around 1540, culminating between 1560 and 1590 and then disappearing towards the end of the sixteenth century, these tabulae are, according to Welti, a sign of the need for systematization, structure, and hieratchization, and a clear rejection of the humanist narrative form.
Kim Novak's protuberances in Hitchcock's Vertigo, Godzilla pores, pus flowering on top of pimples, nineteenth-century bustles and false fronts, Veronica Cartwright's bug-eyed expression of horror in Ridley Scott's Alien, prosthetic cocks or a "real" erect one, cellulite and diagrams on how to combat it, the male/female character in Silence of the lambs regarding his image in the mirror, dick tucked between his legs - all these tabulae non rasae sprang to mind as I watched models garbed in Rei Kawakubo's Spring/Summer '97 collection walk down the runway this fall, their backs, shoulders, and hips made ecstatically, imagistically associative by the down humps planted in Kawakubo's wool, polyurethane, and organdy gowns.
According to Bredekamp, the legacy of the visual experience of the Kunstkammer is imbued in the images, both visual and verbal, of many natural scientists and philosophers: Kepler's three-dimensional model of the cosmos and his temple for the Tabulae Rudolfianae (1617), Descartes's notion of identity of machines built by artisans and objects created by nature alone, Locke's tabula rasa, Palissy's and Rosicrucian grottos and gardens, Campanella's utopian civitas solis (1613), and Francis Bacon's utopian New Atlantis, to name a few.
Are these books paired with their own ghosts or are they tabulae rasae?