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It is the first German treatise on basso continuo accompaniment from a bass with or without figures, and the first to draw important distinctions between the stylus gravis and stylus theatralis.
Belkin argues that the Jew has never been what she terms homo theatralis, partially "because the Bible and the book of oral law--the Talmud and later rabbinical writings--contain vehement exhortations against the theatre" (The Oxford Handbook of Jewish Studies, ed.