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Addressing the sublime: Space, mass representation, and the unpresentable.
His sublime connects to feelings conceived beyond limits of experiences, which makes it relevant in Ramesh's works that connect with ideas of reverence and transcendence, bringing an awareness that "the unpresentable exists" even if not known or represented.
In real life, there is suffering and pain, death, diseases, and old age which are the unpresentable that were presented by Gautama Buddha who may have been the first deconstructionist, born in the pre-modern world in India (Zweig 1995, p.
These artworks are not only 'in relation' to the unpresentable in the way that all representations are, but take unpresentability in the form of the secret as their explicit subject.
The postmodern would be that which in the modern, puts forward the unpresentable in presentation itself" (xxiv).
Egyptian netizens were brutal, posting comments like "She looks unpresentable with the cape or drapes uniform.
There has always, of course, been this gap between appearance and reality, but in quantum theory reality remains unpresentable, inconceivable, and incomprehensible, which remains, according to Plotnitsky, "the ultimate epistemological lesson of quantum mechanics" (46).
inherently unpresentable subject--and that at several removes.
In literary forms that forego conventional markers of the speaker's identity, the anonymous subject appears "temporally unfinished and suspended," "stubbornly resisting the requirement to inhabit a social category" while remaining open to change--a revisionary subjectivity that is finally, fundamentally unpresentable (3, 7).
4) Mitchell makes the case quite clear with the following claim: "The ekphrastic image acts like a sort of unapproachable and unpresentable 'black hole' in the verbal structure, entirely absent from it, but shaping and affecting it in fundamental ways" (158).
Although I don't want to walk about like a bag of rags or look unpresentable or untidy, I really don't care what people think of me when they see me," says Emily.
Moreover, to reduce the narrative of colonialism to the terms of legal discourse--through the language of genocide and war crimes--requires "nam[ing] and presenting] the unnameable and unpresentable," when as Pritchard perceives, there is the "need to maintain an impossible distinction between the secret-as-it-appears or the secret-as-effect and the secret-itself" (418).