Unities

(redirected from Classical unities)
Also found in: Financial, Wikipedia.

Unities

In real property law, the four characteristics that are peculiar to property owned by several individuals as joint tenants.

The four unities are unity of time, unity of title, unity of interest, and unity of possession.

Unity of time is a characteristic because each joint tenant receives his or her interest at the same time—that is, upon delivery of the deed to the property. Unity of title exists because each tenant receives his or her title from the same grantor, and unity of interest because each tenant owns an undivided interest in the property. Unity of possession exists because each tenant has the right of possession of every part of the whole property.

Cross-references

Estate; Joint Tenancy.

References in periodicals archive ?
As one can see, Friz was influenced by Aristotle and Horace, but he developed an interpretation of classical French tragedy that differs from many of his colleagues, who preferred a moderate respect for the dramatic rules combined with an ornate and festive kind of theater; for Friz, the overriding aim of moral improvement could only be achieved by strict adherence to the three classical unities and to the concept of verisimilitude.
And that is the context of a story which unfolds within 24 hours, observing the classical unities of time, place and action: Anna Maurant - Carrie-Ann Williams bringing such a welldrawn performance, her well-supported warm tones finding the point of each phrase - consoles herself for a life downtrodden by a bullying husband in an affair with the milkman.
While the source material largely follows classical unities of time and space, Davies, unsurprisingly given his previous work, opts to flit fluidly between different timeframes, although the core action is set on a day unfolding "around 1950," per onscreen titles.
Their readings of three comedies -- Every Man in His Humour (1598), the prototype for the great comedies of Jonson's middle period, Volpone (1606) and The Alchemist (1610) -- are especially insightful on Jonson's adapting of the classical unities to his own creative purposes.
Beresford does, however, point out Gogol's adherence to the classical unities that give rise to this feature of the play.