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Slow motion photography proves that the arrow that wobbles least on contact with the target, penetrates the deepest.
In rehearsing photography's repertoire of subjects, genres, styles, and techniques--astrophotography, motion photography, editorial and fashion photography, portraiture, and landscape, for example--Ethridge moves through photography's own internal "typologies" in a way that acknowledges the putative redundancy of the medium while simultaneously reclaiming a space for artistic maneuver.
Session topics focused on the use of still and motion photography, intimate storytelling, freedom of information, and first-hand accounts of the ways trauma changes a story.

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