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Nearly all the prefaces introduce music by Charles IX's favorite composer, the celebrated Orlande de Lassus (1532-94).
When discussing the end of the Renaissance, Perkins organizes his final chapters by composer, focusing on four: Giovanni Pierluigi da Palestrina, Tomas Luis de Victoria, William Byrd, and Orlande de Lassus.
235, was probably copied between 1573 and 1576 and contains works by Senfl, Orlande de Lassus, Johann Walter, and others (pp.