CREDITS: A Yale Repertory Theater-American
Repertory Theater production of a play in two acts by David Adjmi.
Anna Fitzloff Director of marketing and communications American
Repertory Theater Cambridge, Mass.
It's all part of Shirley Jackson's slyly menacing, next-to-abnormal world that she evokes in her 1962 novel "We Have Always Lived in the Castle," premiering as a musical at Yale
Repertory Theater. Adam Bock, Todd Almond and helmer Anne Kauffman have succeeded in creating a stage fable of anxiety and glee, and while their show still needs work to deepen and further musicalize Jackson's tale of small-town persecution and familial murder, even at this stage of development it's a spellbinding tale to see and hear.
This awareness of movement as part of total theater comes from the eight years she spent, during the late sixties and early seventies, as a performer and teacher of movement for actors at the Yale
Repertory Theater. De Lavallade was invited to Yale because she is, as her 1966 Dance Magazine Award citation read: a "total dancer," one whose silken technique is interwoven with dramatic sensibility.
Stageloft
Repertory Theater, 450 Main St., Sturbridge.
Paul, Minn.; Nike Doukas, South Coast Repertory, Costa Mesa, Calif.; Rich Foucheux, Woolly Mammoth Theatre Company, Washington, D.C.; Mark Harelik; South Coast Repertory; Mary Martello, Arden Theatre Company, Philadelphia; Austin Pendleton, Steppenwolf Theatre Company, Chicago; James Pickering, Milwaukee
Repertory Theater; Vilma Silva, Oregon Shakespeare Festival, Ashland; and Sally Nystuen Vahle, Dallas Theater Center.
SEATTLE A Seattle
Repertory Theater presentation of a play in one act by Ariel Dorfman.
Auditions Stageloft
Repertory Theater auditions for "It's a Wonderful Life,'' 1-4 p.m.