aesthetic

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In our country paper, we defined aesthetics as 'the power of intellection, a sense of beauty, taste and artistic competence for a learned understanding of a people and their country's history.
After an extremely brief history of aesthetics and the philosophy of art he discusses defining art; interpretation and intention; aesthetic properties and evaluation; the ontology of art; emotions and the arts; art and morality; art, aesthetics, and identity; and aesthetics without art.
It is concluded that the perception of dental aesthetics is affected by the educational background of the University students (p less than 0.
Olga Voloshina, ARNP, owner of Northwest Aesthetic stated, "My passion for our industry and love of learning has led me to make a commitment to our clients to research the latest medical aesthetics developments, and offer only the best, results oriented treatments available in the ever changing beauty industry.
Thus the most radical proposition that Professor Forsey makes about design aesthetics is her refusal of any interpretation that ignores the function of objects.
Jacobs and Peacock seek to elicit debate and dialogue between the essays and in the reader: "the collection," they note, "forms an invitation to talk and think about television aesthetics and style both more widely and more closely" (11).
The funding will continue to back GC Aesthetics' aim of becoming the world's major independent medical aesthetics company.
21 February 2014 - Irish aesthetic company Global Consolidated Aesthetics Ltd, or GC Aesthetics, said today that it had secured USD60m (EUR43.
In complying Saxena's complaint that the issue of beauty is often left out, if aesthetics would be a quest for or analyzing "beauty" in both art and nature, then the aestheticians would run after the Keatsean mirage of the identification of truth and beauty.
I am particularly sympathetic to the authors' project of widening the domain of aesthetics beyond that of fine art and natural phenomena to include everyday life.
Toward the end of Levi-Strauss, Anthropology and Aesthetics, Boris Wiseman explores the ways in which Levi-Strauss's project in Mythologiques (1964-1971) is not only an anthropological endeavor, but also, and perhaps more significantly, an esthetic one.
Number eight in the "Aesthetics in Music" series, A Different Story: Aesthetics and the History of Western Music is a philosophical examination of aesthetics and criticism of music throughout history--from ancient Greece to the Age of Enlightenment, to 1800's salon music and the twentieth century, including the "aesthetics of rock".