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One of the most poignant ways to apprehend the film's title "On the Other Side" is thus through its rhetorical commitment to antilogy, to the possibility of simultaneous, contradictory, unresolved assertions that remain incommensurable with Habermasian communicative reason and the expedient ideals of intercultural understanding.
On the other side of monolingualism: Fatih Akin's linguistic turn(s)
The Munchhausen story illustrates the antilogy of a reflective act, an antilogy that the Western tradition has failed to address for years(c) specifically within the cognitive science doctrine.
Where a Blind Man Ends: Five Comments on Context, Artifacts and the Boundaries of the Mind

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