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We see the appositeness of formulation very well in art.
"The Perfect Queer Appositeness of Jack Smith." QRFV 18.1 (2001): 39-52.
Besides the issue of plagiarism, which the daughter's statement both acknowledges and complicates, we might think of the poet's multiplication of Saras (wife, beloved, daughter, idealized fictional character), the appositeness between Coleridge's notebooks to other writings, and his rewriting of his life: for example, his revision--or misrepresentation--of his radical past (Roe 4).
What she highlights is that vigilance can bring from the oblivion of the accidental a strange, frightening, and tentative appositeness.
These retrospective references to the protagonist in the extant Satyrica match so perfectly the fragment of Servius--in both texts Encolpius is an exile and a scapegoat--that their appositeness is most unlikely to be merely coincidental.
Frantzen in the history of English and Anglo-Saxon studies, or Jerome McGann in textual editing; on the side of history, I would mention Quentin Skinner, whose interest in discourse and speech acts as a means to historicize influence in the history of ideas would have fitted extremely well in a volume on the "linguistic turn." However, these critical remarks do not diminish the value and appositeness of the kind of serious intellectual engagement with the past that this collection undertakes.
The beauty and appositeness of this film's images, the complexity of its questions and revelations, and its sheer inventiveness lift it far above most others.
At the same time, the disturbing appositeness of Adorno's forty-year-old critique is evidence of how nostalgic and reactionary the Melbourne program really was.
Again the appositeness of the introduction (Asteroid behaving as if Mad Anthony were controlling him from the TV set; the literal disassociation of image and speech as a metaphor of his condition) is only apparent in retrospect.
In the scene entitled 'Ruina romana' (note the possible appositeness of that Roman setting to the romance as well) we find exchanges between the characters 'Figura de pampanos' (FP) and 'Figura de cascabeles' (FC), roughly corresponding to the active and the passive sexual roles.
Because of his admiration for Nietzsche, Kaiser would probably see the appositeness of this definition to the quest in From Morn to Midnight, in spite of his fundamental disagreement with Goethe's point of view.
As any contemporary would have immediately realized, however, the `French Amazonian maid' and `Lady Knight' that appeared in the prologue to Percy were not only gestures towards generic figures of speech, but also specific references to a real flesh-and-blood female chevalier, the famous Chevalier D'Eon.(41) The reason that Colman chose that particular season to stage his Female Chevalier, explained one critic, was `its appositeness to a certain subject, which then engrossed the public conversation ...