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Likewise, phusis or the idea of nature is apprehensible and requires human imagination and artistic creativity to connect to ethos.
According to Scarry, "both prose and poem take place in the realm of the non-actual, but the poem is a few inches to the left of the narrative since it has its metrical feet in the material world." Because of the reliance of verse on meter and rhythm, it appears as more material, a designation that is furthered by the "immediate sensory content [of the poem], since the visual disposition of the lines and stanzas provides an at once apprehensible visual rhythm that is a prelude to ...
They may be evasive ("NewMedia," "Purgatory, the Film"), where they befuddletheir subjects, or apprehensible ("Heaven,""Imaginary Number"), where they gratify them.
apprehensible. However, that assumption has now been decidedly refuted
Attachment to the local, concrete patria, apprehensible by the bodily senses, so to say, a primordial emotion in every community; this immediately given layer of human existence is able, so to say in a natural way, to evoke strong emotions and passions when, for example, it comes its defence against enemy or natural forces.
A mountain of bits inspires awe like a glimpse of Mont Blanc, but a snapshot or a refrigerator magnet makes the massiveness apprehensible.
In the Fox's description of the other Greek masters' teaching, the light of earthly learning pales next to the true sun, implicitly humanized and deified as the son whom "we shall meet." In Lewis the lower and preparatory order of light, beauty, and goodness is apprehensible even by animals, and not just the talking ones.
The rise and fall of his hero Okonkwo and the climax of the novel follow a pattern familiar to the Western reader, and the novel is apprehensible in terms of hubris, the tragic-flaw, the father-son relationship, catharsis, and categories of heroism appropriate to the epic tradition.
I am happy to say that the statement the statement "music is fun" is no longer as daunting and am no longer apprehensible about it.
And in those happy, busy days it seemed an awareness of form was flowing straight from Sallustius into me through a conduit which nothing could block, an awareness of a true and profound form that was inherent, that was apprehensible only after the limits of rhetorical device had been surpassed, past which it would be impossible to claim the rhetorical as ordering the material world, for the rhetorical pervades the material and dissolves it, conceives poetry and reality as one, at once, in an interplay of eternal forces as marvelous a creation as music or algebra.
Sextus Empiricus's account (Against the Logicians 1.65-87) summarizes the content of the treatise along three points: "First, that there is nothing; second, even if there is [something], it is not apprehensible by a human being; third, that even if it is apprehensible, it is still not expressible or explainable to the next person."
This is apprehensible, since diffusion into a volume is dependent on the surface exposed.