awkwardness


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Catherine began to feel something of disappointment -- she was tired of being continually pressed against by people, the generality of whose faces possessed nothing to interest, and with all of whom she was so wholly unacquainted that she could not relieve the irksomeness of imprisonment by the exchange of a syllable with any of her fellow captives; and when at last arrived in the tea-room, she felt yet more the awkwardness of having no party to join, no acquaintance to claim, no gentleman to assist them.
So that what you take for the White Whale's malice is only his awkwardness.
The cue was still in my hand, and I went on knocking the balls about, to take off the awkwardness of the thing.
Philip thought this answer would cause the boy a certain awkwardness, but Venning was not to be turned from his facetiousness for so little.
Either from awkwardness or intentionally (no one could have said which) after the shawl had been adjusted he kept his arm around her for a long time, as though embracing her.
Today, the awkwardness of the "Mercenaries" and "Interrogations" series evokes the illusionism of digital photography more than anything else.
This advance enables Internet, Intranet, or PSTN telephone calls to be made from a standard telephone thus avoiding the awkwardness and lack of privacy in using a cumbersome computer microphone and speakers.
The steady hand in all of this was Bryant, who scored 35 points and collected 10 assists and seven rebounds, negating the boos and any sense of awkwardness he once felt here.
The work's emotional focus emerges in the artist's clear preference for a certain awkwardness or difficulty, both in his palette and in his draftsmanship, for the way a "wrong" note can complicate a composition.
The potential confusion and awkwardness resulting from the public access children have been given to sensitive information about the President was the catalyst for this special.
Wrongly cast, jarringly costumed and directed with a languid awkwardness by Arthur Allan Seidelman, this ``Kismet'' really should have been a knockout.
Though her abstract works often contain figurative allusions, the sculptures are better understood on a purely formal level: In Two Faces, 1969, for instance, it is the different placement of the holes letting space and light into the dense stones (Hepworth's longtime friend Henry Moore seems an influence) and the polished awkwardness of the asymmetrical pieces, as well as their at-odds position next to each other, that lend the piece its aesthetic credibility.