bodily representation

See: embodiment
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That dancers are faced with an atypical situation that requires both practical and aesthetic considerations further strengthens this connection and opens up new opportunities for experimental investigation of self-localization, bodily representation, and human performance.
Contesting Bodies is divided into three parts, which explore, respectively, the making of bodily and embodied knowledge, bodily representation, and the regulation and containment of variously othered bodies.
As Li Rong has noted, one of the most notable things about Wild Grass is its emphasis on bodily representation.
And yet, Hettche's reflections on Descartes bring the question of bodily representation back into the picture, whereas Descartes's invitation to his readers to either trust his text or cut up and observe a body themselves equates reading with dissecting.
Full of mutilated war veterans, withered prostitutes, destitute proletarians, and wizened bourgeois, "Glitter and Doom"--whose real star, with more than fifty works present, is Otto Dix--calls attention not just to the politics of bodily representation but to the human body itself as the vessel on which political power unleashes its most brutal force.
The former is a well documented discussion of the politics of bodily representation as it relates to class and to gender.
They should appreciate the phenomenological value of the contribution and recognize that conceptualizations of an "astral body" as an exact duplicate of the physical body may not be that different from conceptualizations of a "phantom body" as a central bodily representation.
In this way, liberative education is forced to include an understanding and appreciation of the bodies involved in ways that move bodily representation away from oppressive -- status quo -- positioning.
Likewise, the bodily representation of Ursa's story in Jones's Corregidora is her hysterectomy scar.
The second section on The Politics of Bodily Representation turns its attention to "political investments contributing to particular forms of bodily representation" (p 11).
What this language doesn't quite articulate is the way that Hesse's work plays on the knife-edge of the literal and the metaphoric: that her art consistently stages the very problem of interpretation in confusing the formalist grammar of the modernist object with the sticky vicissitudes of bodily representation.
The study treats "drama," but it does not often enough probe the special problems and opportunities that performance offers for questioning bodily representation.