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Secondly, if the purity--art purified of external purposes, influences, the exogenous--or autonomy of art is discrepantly defined between these two influential articulations, separated in time by about a decade and a half, what does that tell us about the coherence of Kantian disinterest as a concept?
Additionally, one recent report showed 45% of 2,866 wells tested by both field kits and standard laboratory methods were found to be discrepantly labeled either as safe or unsafe (Rahman et al.
2] What hopes, then, are there for constructing an appropriate understanding of the Virgin, as a discrepantly shared symbol, for dialogue between Christianity and Islam?