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Kofman cannily develops the theme of Narcissus and Echo: The film literally enacts the structure of Narcissus/Derrida as filmed, seen, Echoed, by the "other," the filmmaker who in turn repeats the words of the other on the voice-over: the Holy Decretals.
Yet despite this "improvisation," the film repeats the stereotype of the male Narcissus Echoed by his reverent female amanuensis (literally mouthing his ecriture).