focalization


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Gorey also shows how focalization is employed by Evaristo to provide readers with "unguarded" glimpses into the "dark corners of the protagonist's mind" (153,154).
Andromache's focalization transpires very clearly from the narrator's use of a word like "ruthlessly" (literally: "without proper care"); this expresses her dismay at seeing the body of her husband not receiving the burial rituals he is entitled to, but instead being dragged through the dust by Achilles.
However, internal (sometimes multiple and changing) focalization prevails, which is especially emphasized by the element of wondering.
Interestingly, amendments to and clarifications of Genette's theorization of focalization correct the visual bias influencing Warhol's reading.
56) While one could read "Nausicaa" as Gerty's episode, she is not the only focalizer in the episode, and arguably her focalization serves Bloom's story just as her actions serve his desires.
3 also indicates that the SINR performance scales down as a function of due to the loss of focalization.
The term focalization was coined by Gerard Genette to more precisely account for the way "perspective" or "point of view" is typically introduced in narratives.
The impact of Wickham's intrusion is reflected in the transition out of focalization through Darcy to an unsettling narrative no-man's land.
Keywords: Narrator Narrative Diegesis Focalization Joyce Counterparts
La mirada pedagogicafaces this challenge from Pedagogy, examining the role to play by the theory of education, the methodology and the focalizations, assuming the principle of Herbart of elaborating a "visual circle" from the pedagogical research, to attain the critical vision of the methods and of the acts in education.
From the mid-twentieth century onwards, this concept of point of view has been revisited and revised by different scholars yielding to a plethora of alternative --not always equivalent--terms such as focus of narration (Brooks and Warren 1943), vision (Pouillon 1946) or Genette's more widely accepted notion of focalization (Genette 1980).
The most consequential feature of this distinction--especially for the study of translation--is what James Phelan explores in his Living to Tell about It: A Rhetoric and Ethics of Character Narration: the multilayered and polyvalent communication that arises as voice and focalization shift between the narrator as character, and the narrator in her or his role as reporter of narrative events.