I, Little Foot, go away making noises and tramplings so that Big Foot may hear me." He moved away from the rock pace by pace among the trees, his voice rising in the distance as he approached a little cascade.
The panther had been casting in every direction to see how Big Foot's trail led away from behind the rock.
Here stood Little Foot, with his knee on a rock--and yonder is Big Foot indeed!"
Day argues, however, that Clarke and Tobias' foot
reconstruction is probably not accurate.
The first foot
lands toes first where the pointe is; the second leg is brought rapidly to the floor.
The first full step away from center should be a long stride with the right foot
. This should be followed up with progressively shorter steps.
The dancer may feel that her working foot
grasps or hugs the supporting ankle.
This is a non-support phase in which the thrower initiates a leg exchange that takes the left leg and foot
from the back of the circle toward the front.
Dancers who curl the toes inward and push into the floor thinking that they are improving their arch are doing damage to the foot
and toes, which should be kept straight and pointing downward.
Touch the right foot
down in the center and rotate it.
Rosenhaus of Rosenhaus Real Estate, LLC, took the entire 32nd floor; WAMU Capital Corp., a bond trading division of Washington Mutual represented by Jim Quinn and Duncan McCuaig of Cushman & Wakefield, leased the entire 14,486 square foot
18th floor in an expansion move; and Satellite Asset Management expanded by taking the entire 14,476 square foot
Common causes of stone bruises are hard floors, irregularities in the dance surface (linoleum seams, wrinkles in tape, trapdoor edges), and choreography that makes intensive demands on the ball of the foot
. Stone bruises can also develop if you are shifting your weight to reduce impact on an already-injured area of the foot