In view of the data collection difficulties, due to the size of the questionnaires, the complexity of the questions and the target audience researched, an alternative to enable the data collection was the use of a response card with ordinal scales, instead of the traditional intervallic
Construction of the intervallic
series of the value [lambda].
(Register) the transition n2- Consider a sequence of four n3 involves a greater intervallic
notes n1, n2, n3, n4.
It was in the musical material itself, particularly its intervallic
relationships, that the true emotional and aesthetic value of the music could be found, and not in the medium of its performance.
Joe Diorio presents intervallic
studies that open up harmony and provide technical challenges.
'Obsession' is derived from the registral shape and intervallic
structure of the 'Primal cell.' The 'Primal cell' ascends by thirds from Eb first to D, and then to C; 'Obsession' ascends by thirds from E to an appoggiatura D resolving to C.
We also hear shades of Wagner and Elgar and the expressive despair which the tight closeness of intervallic
quarter-tones can suggest - the CBSO strings execute these with expert intonation.
Unlike the usual notion of a scale, however, the distinction between steps and leaps in a pitch field may not correlate with intervallic
Additionally, the bass line in each of these styles has maintained a distinct intervallic
and rhythmic character throughout each repertoire's existence.
56 in illus.6); he does this by theoretically dividing the string into 1,000,000 parts and provides a table with the intervallic
values including the syntonic comma and the enharmonic diesis (the pre-publication autograph version is reproduced as illus.7a).
Lehr does discuss in passing some similarities of thematic approach, and he includes a brief but unsatisfactory section dealing with the formal design of one scene, but the heart of his analysis consists of tabulating the intervallic
content of the vocal lines (and character-associated themes), from which he derives a statistical summary of the type and direction of intervals for each character in a variety of contexts, including, for example, the intervals used when characters address each other by name.
(Gilbert Ryle distinguished technical language from ordinary language but failed to acknowledge that a technical term can be in natural language.) Although this technical term was adumbrated vaguely in treatises written during several centuries in diverse languages, such as Greek, Latin, Italian, French, Spanish, and German, as well as English, ultimately its application became unambiguous: today 'key' (italicized as a technical term) applies to a definitive system of intervallic
relations among tones.