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Yet Baal's literariness is political and corrective in a way that Gibreel's movies, for instance, are not.
The filmmaker's reliance on the literary is an extension of the middlebrow stress that these "female" genres have placed on literariness itself.
The ability to incorporate theoretical ideas with a cultural analysis of Disney's iconotexts indicates the solid beginnings of literariness, a difficult task given the usual lack of curricular transition between standard composition and literature topics.
Making resonant associations between the baroque qualities and striking metaphors of EBB's much analyzed sequence and works by both Maria do Ceo and Gongora, Neri demonstrates that the title was more than merely a convenient mask for autobiographical content, and that the literariness of the sequence involves more than Petrarchan sonnet conventions and the influence of Camoens alone among Portuguese writers.
Reading Updike in the context of contemporary popular culture highlights the virtues of his unapologetic literariness.
The story confronts subjectivity with the literariness of its own conventions, as the narrator's own epiphany, during an on-camera interview at the conference, turns out to be lifted from a prior text:
To confront law with its literariness is to encounter the contamination of its narratives by practices of a fictionalising kind.
4) He focuses on the literariness of history, especially that of London, which is best captured in his seminal London: The Biography (2000).
WHERE WORLD WAR I memoirs had been full of literary echoes--a result of "the unparalleled literariness of all ranks," in Fussell's words--World War II memoirs tend to be shorn of artifice.
Above all, Dominguez Michael provides a cohesive view of a literariness heretofore addressed in individual native sources, founding his sophisticated Baedeker (not reader, encyclopedia, companion, or biographical dictionary) on correspondingly advanced readings of literature largely undiscovered in English.
Indeed, the only thing missing here is Faulkner's attempt to code the intellectual as masculine, which would be out of place as the objective here seems to be reinforcing the detective's masculinity so that he can later tie that masculinity to intelligence and literariness in his own writing.
For all of the acute and apt sensitivity to painting so evident throughout his best poems, it is nevertheless his literariness that is most extraordinary; nothing is more representatively late-Mahonish than a poem beginning in a state of encounter with the outside world, only to modulate quickly into bookish discursivity, as if the answer will always be found in a book he has just read; so "Smoke" starts with the smoking of a fag, and makes its desolately witty way via Lady Bracknell to the father of the carnivalesque: