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It sounded gorgeous in Christopher Park's hands using the young German's own transcription, a translucent long-spun love-song to Chopin's fiancee.
The vibrant singing of Mariusz Kwiecien gave pleasure, though he was better in powerful passages than in the Act II "Serenade," in which the long-spun piano lines were a bit effortful.
Directed by Tony Award winner Mary Zimmerman and conducted by Riccardo Frizza, the production showcases Fleming's vocal prowess in what The New York Times describes as a "tour de force" role for the soprano who can "combine alluring long-spun lyrical singing with dazzling, sometimes demonic, coloratura flight.