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As Massing points out, New York City has an appallingly balkanized drug treatment system with no central intake office.
But while Flores is shown to be heroically dedicated, Massing makes clear that his shoestring efforts are a poor substitute for large-scale government action.
And all the expected names and texts are all here, Botticelli, Raphael, Mantegna, Signorelli and so forth; plus the story of the emblems books, still a part of iconographical detections, and at the end some interesting but, for Massing deficient, examples of Calumny and Apelles in the nineteenth century from artists like Edward Burne-Jones, Charles Meynier and Jean Louis Bezard.