paint

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References in classic literature ?
which rescued the unknown painter from oblivion and blazed the trail which succeeding writers, with more or less docility, have followed.
And when such as had come in contact with Strickland in the past, writers who had known him in London, painters who had met him in the cafes of Montmartre, discovered to their amazement that where they had seen but an unsuccessful artist, like another, authentic genius had rubbed shoulders with them there began to appear in the magazines of France and America a succession of articles, the reminiscences of one, the appreciation of another, which added to Strickland's notoriety, and fed without satisfying the curiosity of the public.
It was an article of their creed to believe that the dead painters were the great men, and that the more the living painters imitated the dead, the better was their chance of becoming at some future day, and in a minor degree, great also.
The modern painters who have survived the brunt of the battle, have lived to see pictures for which they once asked hundreds, selling for thousands, and the young generation making incomes by the brush in one year, which it would have cost the old heroes of the easel ten to accumulate.
said the painter, keeping his eyes fixed on the ground.
And yet there is a sense in which the painter also creates a bed?
He knew that there were societies where painters and poets and novelists and men of science, and even great actors, were as sought after as Dukes; he had often pictured to himself what it would have been to live in the intimacy of drawing-rooms dominated by the talk of Merimee
The men and women who live and move in that new world of his creation are as varied as life itself; they are kings and beggars, saints and lovers, great captains, poets, painters, musicians, priests and Popes, Jews, gipsies and dervishes, street-girls, princesses, dancers with the wicked [44] witchery of the daughter of Herodias, wives with the devotion of the wife of Brutus, joyous girls and malevolent grey-beards, statesmen, cavaliers, soldiers of humanity, tyrants and bigots, ancient sages and modern spiritualists, heretics, scholars, scoundrels, devotees, rabbis, persons of quality and men of low estate--men and women as multiform as nature or society has made them.
Years before he had been a painter of some standing in a colony, and portraits signed 'Van Tromp' had celebrated the greatness of colonial governors and judges.
he called to him his son, a young cook of great promise, and with tears in his eyes, he recommended him to preserve carefully the secret of the macaroni, to Frenchify his name, and at length, when the political horizon should be cleared from the clouds which obscured it -- this was practiced then as in our day, to order of the nearest smith a handsome sign, upon which a famous painter, whom he named, should design two queens' portraits, with these words as a legend: "To The Medici.
This spasm of despair alarmed the painter, and even Ginevra, whose own nature comprehended that of the young man.
They looked upon him, as painters often do writers, with contempt because he was a layman, with tolerance because he practised an art, and with awe because he used a medium in which themselves felt ill-at-ease.