in the face of new technologies includes, at the limit, the choice to say no to particular visions of progress.
How would you characterize the difference between the artists you discuss in your articles on provisionality
and the painters who are in Reinventing Abstraction?
It may be that the journal managed to strike a unique balance between rigour and provisionality
, one that proved highly productive for the Centre and its interlocutors.
Not the least illuminating aspect of this article is its highlighting of the implication of narrative in such inferential practices and the provisionality
and insecurities of human understanding dramatized thereby.
Christian faith must now be understood in light of the profound provisionality
and contingency that inexorably distinguish contemporary thought and life.
constitut[e] the space of the political," and the political is transformed into a purely textual opposition between two regimes of narration--the temporally homogenizing master narrative of the nation and the provisionality
of micro narratives or little stories which disturb and unsettle it (1994, 273).
AB: Thinking about the provisionality
and the way these drawings exist to be looked at, I'm struck by how you employ a lot of machines for looking--the camera, the stereoscope, the telescope--and how making animations seems very democratic, since these films can essentially be viewed by vast numbers of people all at once.
It is about recognizing the limited but effective way that language works, and about accepting that provisionality
into the fabric of poetry.
While postcolonial theory has proven itself potent by exposing and often deconstructing the provisionality
of imperialist rhetoric in colonial and neocolonial discourses, ecocriticism has often sought firmer ontological ground by examining the ways in which human affairs are regulated by their relation to a stable natural environment.
Turner suggests that 'the "liveness" of television, its investment in immediacy and provisionality
, is in direct conflict with the regulated production imperatives implied by genre and format'.
Predictably, the exotic Other (such as the nomad) turns out to affirms the usual suspects of postmodem celebration: "Notions of mobility, fluidity, provisionality
, and process are deemed preferable to stasis and fixity" (86).