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Phebe Jensen has recently argued that "play-hosting and performing could be a way of creating and sustaining recusant identity" (Religion 46), reading such performances as a kind "replacement for forbidden communal religious rituals", particularly in the case of St.
After an introduction in which Sutton sets forth his purpose and connects the Catholic modernists to a recusant history, chapter one explores how Gerard Manley Hopkins' work expressed his difficulty at balancing his nationalism and loyalty to the Jesuit order.
En s'interessant aux filiations conceptuelles, notamment en biologie et en medecine, il programma une histoire recusant a la fois l'internalisme et l'externalisme en vue d'apprehender la specificite des sciences dans leur << dialectical unity of continuity and change >> (69) mediatise par leur contexte de production.
For Shakespeare and his contemporaries, Bohemia was a place of religious tolerance that contrasted with the persecution of Catholic recusants in the later years of Elizabeth's reign.
Elsewhere in the world, the Irish were able to shape to some extent the Catholic churches they found there; this was impossible in Britain, where the recusant families held sway.
This tax was imposed specifically on Catholic recusants as a punitive contribution to Elizabeth's campaigns against foreign Catholic threats; John Shakespeare's fellow defaulters were all Catholic.
The beneficiaries in this case were the professional singers of the Chapel Royal as well as the recusant musicians of Thorndon and Ingatestone.
4) Secondly, and perhaps partly as a result of his expressed antipathy towards the Jesuits, (5) Constable draws less on the plaintive language of spiritual exile so popular amongst other recusant poets, and more on traditions of affective piety, especially later medieval traditions.
Chapters discuss the "gendering" of god in the poetry of Richard Crashaw, representation and embodiment in John Donne's "Devotions Upon Emergent Occasions", representation of the recusant soul in the works of Robert Southwell, and concepts of body, word, and self as written by Thomas Traherne.
Each of Greenblatt's own "biographical day-dreams" is grounded upon documents identifying John Shakespeare, the playwright's father, as an important public official in the borough of Stratford-upon-Avon and as a Roman Catholic recusant, and each imagines hypothetical scenes that Shakespeare may have experienced as a boy and adolescent: civil ceremonies in Stratford, a Royal Progress and Parliamentary election in Warwickshire, an exorcism in a Catholic household in 1580.
Recusant apres bien d'autres la these du << choc des civilisations >> de Samuel Huntington (et non Daniel comme il est ecrit a la page 34), l'auteur affirme plutot qu'il faut rechercher une explication du cote des phenomenes de constructions identitaires.
In other words, would Shakespeare have to have been a recusant Catholic to know and use certain Catholic symbols?