wieldy


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My concern is that if the EAS gets too big the countries of East and South-east Asia will give it up as yet another bad job, and yet again create a smaller, more wieldy organisation to reflect their concerns.
Larger is less wieldy, but clearly we need an NSC that integrates all aspects of American security.
This much more wieldy volume offers six essays on links between German and Spanish visual culture during the past two centuries, most strikingly a highly suggestive discussion by Michael Scholz-Hansel of the relations between Carl Justi and Julius Meier Graf, Ignacio Zuloaga and Rainer Maria Rilke, Richard Wagner in Barcelona and Jose Ortega y Gasset in Germany.
Will these smaller entities prove to be tighter and more wieldy, and therefore capable of adjusting more quickly to changes in the pop culture?
But the joys of editing, for me, are in the editing: finding the ideal writer for a story, breaking a big investigative piece, overhauling an important but unwieldy story until it is wieldy, glazing the copy of the best writers, and then trying to present a whole issue that leavens urgency and truth with beauty and humor.
When the suitors have been reduced to the more wieldy number of three, the bachelor/ette goes on intimate overnighters with each date (creating an adulterous scenario in the process).
Under these circumstances, a given container may feel less wieldy and would, therefore, be given a higher rating for heaviness.
Unfortunately there's no David Royle as their sidekick Wieldy, but Katy Cavanagh joins the cast as DS 'Spike' Milligan.
Indeed, the back-cover blurb refers to a public cultive, while the foreword invokes, no doubt more realistically, the need felt by a teacher for a coursebook that should fill the gap between, on the one hand (to a French undergraduate), foreign-language texts of a compass similar to the present volume, and more comprehensive but less wieldy tomes, on the other.
Indeed, "[m]arriage," according to May, "was considered the (only) appropriate container for the wieldy American libido" (May 101).
Simplified as this might seem, for a project such as this the concepts are simultaneously wieldy and in depth, at times even pointing to places where Hemingway criticism needs revision from traditional reductivism, as in Hemingway's complex and conflicting emotions in regards to Paris and Spain, or in Hemingway's construction of a public image via Death in the Afternoon and Green Hills of Africa (though I think Curnutt could have gone farther in explicating this last point, perhaps a study guide such as this may not be the appropriate medium).